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Paul Manning – The Epoch of Magna: Capitalist Brands and Postsocialist Revolutions in Georgia

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In this article the author compares two periods of transition – from socialism to Shevardnadze and from Shevardnadze epoch to Rose Revolution 학원묵시록 다운로드. In both these periods of dramatic change, certain kinds of western symbols, especially western brands, became symbols of revolutionary change. The author is interested not the semiotics of brand as such, but the way that brand can serve as a semiotic resource to articulate these epochal changes in two somewhat different ways 숀리의 남자몸 만들기 다운로드.

Manning, P. (2009). The epoch of Magna: capitalist brands and postsocialist revolutions in Georgia. Slavic Review, 924-945.

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Paul Manning – Rose-Colored Glasses? Color Revolutions and Cartoon Chaos in Postsocialist Georgia

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The Georgian “Rose Revolution” of 2003 was preceded by events in November 2001, in which students protested against a government raid on a popular TV station, Rustavi 2, and forced then-President Shevardnadze to request the resignation of the Georgian cabinet as the students demanded 다운로드. This article describes these events in detail to show how political transition in Georgia has been carried out and exemplified by new political rhetorics and metarhetoric that expressly confronted entrenched logics of reception 캐논 스캐너 드라이버 다운로드. The article illustrates how shifts in state formation, in postsocialist contexts in particular, are tied to shifts in representational modes.

Manning, P 다운로드. (2007). Rose-colored glasses? Color Revolutions and Cartoon Chaos in Postsocialist Georgia. Cultural Anthropology, 22(2), 171-213.

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Paul Manning – Socialist Supras and Drinking Democratically: Changing Images of the Georgian Feast and Georgian Society from Socialism to Post-socialism

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Under socialism the image of the supra was mobilized for the purposes of articulating the relationship of ‘society’ to the socialist state xhr. This is partially because the supra, which Georgian nationalists like to fantasize as a traditional unchanging ‘everyday life’ opposed at all points to the socialist state, was in fact at every point a major point of articulation of everyday life to an ubiquitous socialist state 다운로드.

Manning, P. (2003). Socialist supras and Drinking Democratically: Changing Images of the Georgian Feast and Georgian Society from Socialism to Post-Socialism 다운로드. Trent University, Unpublished Manuscript.

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Paul Manning – Materiality and Cosmology: Old Georgian Churches as Sacred, Sublime, and Secular Objects

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Discourses about Georgian churches have since the nineteenth century treated the material quality of ‘ancientness’ associated with existing churches as being among their essential defining properties 다운로드. This paper first explores how different material qualisigns of churches, including oldness and qualisigns attendant on oldness, allow churches to be interpreted as secular objects, by ordering them with theatres (as expressive of ‘civilization’), the natural landscape (expressive of an aesthetics of the sublime) or other monuments, including texts (expressive of culture) 워킹데드 시즌9 9화 다운로드. One result of such discourses is that the contemporary Orthodox Church finds it difficult to have ‘new’ churches accepted as being churches at all 다운로드. These nineteenth-century discourses thus provide a context for the complex and contested reception of old and new Orthodox churches, as well as other religious structures, mountain shrines, having a more ambiguous relation with Orthodoxy 맵피 어둠.

Manning, P. (2008). Materiality and cosmology: Old Georgian churches as sacred, sublime, and secular objects. Ethnos, 73(3), 327-360 다운로드.

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Paul Manning and Ann Uplisashvili – “Our Beer”: Ethnographic Brands in Postsocialist Georgia

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Although Georgia is known for its wines, industrial production of beer far outstrips industrial wine production for local markets: wine consumption occurs in ritual contexts in which new wine, typically purchased from peasant producers, is preferred; bottled, aged wines are primarily for exports labview 2013. Beer, therefore, is a key area in which industrial production for indigenous consumers has been elaborated. Such goods are packaged and presented as being both ecologically “pure” and following “traditional” methods, often referencing “ethnographic” materials about traditional life in brand images, even as they proclaim their reliance on Western technologies 응급남녀 14회 다운로드.

Manning, P., & Uplisashvili, A. (2007). “Our beer”: ethnographic brands in postsocialist Georgia. American Anthropologist, 109(4), 626-641 다운로드.

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